http://www.artzari.fr/ Artzari.fr est le guide international en français des artistes, des expositions, des livres d'art, des galeries d'art et des musees François Ceysson Artzari.fr 2010-03-16 fr Copyright © Artzari 2007 François Ceysson daily 1 2010-03-16 http://www.artzari.fr/interface/logos/logo.png http://www.artzari.fr/ Artzari.fr est le guide international en français des artistes, des expositions, des livres d'art, des galeries d'art et des musees http://www.artzari.fr/fiche-oeuvre.florica-prevenda-net-people-florica-prevenda-6657682.html Net People 1999-2001 «Globalisation offers advantages to a plural, democratic “transparent society” (Gianni Vattino), but it also provides the conditions for the present form of alienation. Behaviour alike, determined by signals from the media – manipulation of reactions. Uniformisation. Fascination of the internet. People caught in a global net. NetPeople.» Adrian Guta Images 2010-03-11 16:06:33 http://www.artzari.fr/fiche-oeuvre.florica-prevenda-net-people-florica-prevenda-7050626.html Net People 1999-2001 «Globalisation offers advantages to a plural, democratic “transparent society” (Gianni Vattino), but it also provides the conditions for the present form of alienation. Behaviour alike, determined by signals from the media – manipulation of reactions. Uniformisation. Fascination of the internet. People caught in a global net. NetPeople.» Adrian Guta Images 2010-03-11 15:56:52 http://www.artzari.fr/fiche-oeuvre.florica-prevenda-net-people-florica-prevenda-3867774.html Net People 1999-2001 «Globalisation offers advantages to a plural, democratic “transparent society” (Gianni Vattino), but it also provides the conditions for the present form of alienation. Behaviour alike, determined by signals from the media – manipulation of reactions. Uniformisation. Fascination of the internet. People caught in a global net. NetPeople.» Adrian Guta Images 2010-03-11 15:53:35 http://www.artzari.fr/fiche-oeuvre.florica-prevenda-net-people-florica-prevenda-3921554.html Net People 1999-2001 «Globalisation offers advantages to a plural, democratic “transparent society” (Gianni Vattino), but it also provides the conditions for the present form of alienation. Behaviour alike, determined by signals from the media – manipulation of reactions. Uniformisation. Fascination of the internet. People caught in a global net. NetPeople.» Adrian Guta Images 2010-03-11 15:50:50 http://www.artzari.fr/fiche-oeuvre.florica-prevenda-net-people-florica-prevenda-5524615.html Net People 1999-2001 «Globalisation offers advantages to a plural, democratic “transparent society” (Gianni Vattino), but it also provides the conditions for the present form of alienation. Behaviour alike, determined by signals from the media – manipulation of reactions. Uniformisation. Fascination of the internet. People caught in a global net. NetPeople.» Adrian Guta Images 2010-03-11 15:48:14 http://www.artzari.fr/fiche-oeuvre.florica-prevenda-net-people-florica-prevenda-2524929.html Net People 1999-2001 «Globalisation offers advantages to a plural, democratic “transparent society” (Gianni Vattino), but it also provides the conditions for the present form of alienation. Behaviour alike, determined by signals from the media – manipulation of reactions. Uniformisation. Fascination of the internet. People caught in a global net. NetPeople.» Adrian Guta Images 2010-03-11 15:40:06 http://www.artzari.fr/fiche-oeuvre.florica-prevenda-net-people-florica-prevenda.html Net People 1999-2001 «Globalisation offers advantages to a plural, democratic “transparent society” (Gianni Vattino), but it also provides the conditions for the present form of alienation. Behaviour alike, determined by signals from the media – manipulation of reactions. Uniformisation. Fascination of the internet. People caught in a global net. NetPeople.» Adrian Guta Images 2010-03-11 15:36:15 http://www.artzari.fr/fiche-oeuvre.papillon-lepolsk.html ACTION PAINTING - Peinture gestuelle PEINTURES GESTUELLES, INSTINCTIVES ET ABSTRAITES - NOUVELLE SÉRIE FUSION : LA RENCONTRE ENTRE LA PEINTURE ET LA MATIÈRE ! Les tableaux de cette galerie sont réalisés à la peinture à l'huile et acrylique avec divers matériaux naturels selon la technique dite de l'Action Painting par dripping , all-over et aux couteaux de peintre. Le tout avec des mélanges de matières inédites telles que l'argile, le sel, la cire, fragments de roches, épices, fibres naturelles etc... Images 2010-03-07 23:34:49 http://www.artzari.fr/fiche-oeuvre.cally-lepolsk.html ACTION PAINTING - Peinture gestuelle PEINTURES GESTUELLES, INSTINCTIVES ET ABSTRAITES - NOUVELLE SÉRIE FUSION : LA RENCONTRE ENTRE LA PEINTURE ET LA MATIÈRE ! Les tableaux de cette galerie sont réalisés à la peinture à l'huile et acrylique avec divers matériaux naturels selon la technique dite de l'Action Painting par dripping , all-over et aux couteaux de peintre. Le tout avec des mélanges de matières inédites telles que l'argile, le sel, la cire, fragments de roches, épices, fibres naturelles etc... Images 2010-03-07 23:26:52 http://www.artzari.fr/fiche-oeuvre.faces-without-a-face-florica-prevenda-5720099.html «"The Face without a Face" might be the shadow, the double, the interior with facets and variants; indefinite, cryptic, archetypal, physiognomically un-individualized but pictorially individualized alter ego reverberating emotions. The rich, contradictory expérience intérieure revolves around this exclusive, redundant, obsessive motif." Images 2010-03-07 18:56:58 http://www.artzari.fr/fiche-oeuvre.faces-without-a-face-florica-prevenda-4674057.html «"The Face without a Face" might be the shadow, the double, the interior with facets and variants; indefinite, cryptic, archetypal, physiognomically un-individualized but pictorially individualized alter ego reverberating emotions. The rich, contradictory expérience intérieure revolves around this exclusive, redundant, obsessive motif. "The Face without a Face" are imprints, emotional grafts, "improvisations" in a musical and Kandinskyan way, sensors of intense feelings: serene, somber, funereal, distressed, subtle, evanescent, febrile, optimistic, tonic (rarely), playful, pathetic, sad, calm, moody...» Images 2010-03-07 18:53:04 http://www.artzari.fr/fiche-oeuvre.faces-without-a-face-florica-prevenda-4523270.html «"The Face without a Face" might be the shadow, the double, the interior with facets and variants; indefinite, cryptic, archetypal, physiognomically un-individualized but pictorially individualized alter ego reverberating emotions. The rich, contradictory expérience intérieure revolves around this exclusive, redundant, obsessive motif." Images 2010-03-07 18:49:45 http://www.artzari.fr/fiche-oeuvre.faces-without-a-face-florica-prevenda-5598120.html «"The Face without a Face" might be the shadow, the double, the interior with facets and variants; indefinite, cryptic, archetypal, physiognomically un-individualized but pictorially individualized alter ego reverberating emotions. The rich, contradictory expérience intérieure revolves around this exclusive, redundant, obsessive motif. "The Face without a Face" are imprints, emotional grafts, "improvisations" in a musical and Kandinskyan way, sensors of intense feelings: serene, somber, funereal, distressed, subtle, evanescent, febrile, optimistic, tonic (rarely), playful, pathetic, sad, calm, moody...» Images 2010-03-07 18:45:41 http://www.artzari.fr/fiche-oeuvre.faces-without-a-face-florica-prevenda-3392991.html «"The Face without a Face" might be the shadow, the double, the interior with facets and variants; indefinite, cryptic, archetypal, physiognomically un-individualized but pictorially individualized alter ego reverberating emotions. The rich, contradictory expérience intérieure revolves around this exclusive, redundant, obsessive motif. "The Face without a Face" are imprints, emotional grafts, "improvisations" in a musical and Kandinskyan way, sensors of intense feelings: serene, somber, funereal, distressed, subtle, evanescent, febrile, optimistic, tonic (rarely), playful, pathetic, sad, calm, moody." Images 2010-03-07 18:42:49 http://www.artzari.fr/fiche-oeuvre.faces-without-a-face-florica-prevenda.html «"The Face without a Face" might be the shadow, the double, the interior with facets and variants; indefinite, cryptic, archetypal, physiognomically un-individualized but pictorially individualized alter ego reverberating emotions. The rich, contradictory expérience intérieure revolves around this exclusive, redundant, obsessive motif." Images 2010-03-07 18:39:00 http://www.artzari.fr/fiche-oeuvre.shadows-of-the-present-florica-prevenda-696486.html «..Searching for the Human, the artist goes deeper and deeper and reveals to us her character(s)’ stratified structures. Windows/screens are opened inside them; intimately connected with the interior strata of these impersonal bodies there are signs of the media, numbers, letters, words, camera captured memories, even a kind of “mise en abime” of structures, by using printed images of previously created ones introduced in present works. On the other hand , we notice the personages’ movements, sometimes almost tragical, their arms wide open, their fingers too, as trying hard to reach other hands and fingers, exploring the outside world, wanting to grasp reality.» Adrian Guta Images 2010-03-07 18:30:11 http://www.artzari.fr/fiche-oeuvre.shadows-of-the-present-florica-prevenda-5021145.html «..Searching for the Human, the artist goes deeper and deeper and reveals to us her character(s)’ stratified structures. Windows/screens are opened inside them; intimately connected with the interior strata of these impersonal bodies there are signs of the media, numbers, letters, words, camera captured memories, even a kind of “mise en abime” of structures, by using printed images of previously created ones introduced in present works. On the other hand , we notice the personages’ movements, sometimes almost tragical, their arms wide open, their fingers too, as trying hard to reach other hands and fingers, exploring the outside world, wanting to grasp reality.» Adrian Guta Images 2010-03-07 18:25:14 http://www.artzari.fr/fiche-oeuvre.shadows-of-the-present-florica-prevenda-2734088.html «..Searching for the Human, the artist goes deeper and deeper and reveals to us her character(s)’ stratified structures. Windows/screens are opened inside them; intimately connected with the interior strata of these impersonal bodies there are signs of the media, numbers, letters, words, camera captured memories, even a kind of “mise en abime” of structures, by using printed images of previously created ones introduced in present works. On the other hand , we notice the personages’ movements, sometimes almost tragical, their arms wide open, their fingers too, as trying hard to reach other hands and fingers, exploring the outside world, wanting to grasp reality.» Adrian Guta Images 2010-03-07 18:21:30 http://www.artzari.fr/fiche-oeuvre.shadows-of-the-present-florica-prevenda.html «..Searching for the Human, the artist goes deeper and deeper and reveals to us her character(s)’ stratified structures. Windows/screens are opened inside them; intimately connected with the interior strata of these impersonal bodies there are signs of the media, numbers, letters, words, camera captured memories, even a kind of “mise en abime” of structures, by using printed images of previously created ones introduced in present works. On the other hand , we notice the personages’ movements, sometimes almost tragical, their arms wide open, their fingers too, as trying hard to reach other hands and fingers, exploring the outside world, wanting to grasp reality.» Adrian Guta Images 2010-03-07 18:17:23 http://www.artzari.fr/fiche-oeuvre.time-regained-florica-prevenda-5413188.html Atelier de Florica Prevenda, Bucarest, 2008 Images 2010-03-07 16:36:36